![]() Salustiano shares the emotions of his characters through expressive, intense, sublime, and provocative traits. These artists confirm that when talking about image and portrait, beauty, more than in the eye, is in the emotions and drives caused in the viewer.Ĭecilia Paredes explores identity through ethereal “photo-performances” in which she camouflages her body against beautifully patterned backgrounds and constructs her own self in relation to the world. And It is precisely that observer who will complete the experience and define beauty, always subjective and particular. Just as the Greeks did and as was done during the Renaissance, you have to take time and observe. ![]() And to perceive and be a spectator, you have to observe. Pigments used in the Renaissance, metal printing, photo performance, oil, and spray portray emotions, poetic intensity, and beauty from the contemporary.Īs HG Wells said, "Beauty is in the heart of the beholder". Painting on canvas, photography, sculpture, and even stencil are placed at the mercy of creation, beauty, and the heart of the observer. "In the Heart of the Beholder" brings together 10 contemporary artists who take us to the immense possibilities that the portrait offers. The face and the different approaches to portraiture were seen as an expression of the soul and emotions, a sample of what we do not reveal and what we often do not dare to show. Not surprisingly, great patrons commissioned his portraits to remain in posterity. The portrait and life are inextricably linked and help to reflect a present or past time.ĭuring the Renaissance, the skill of the artist and the success of his portraits depended on his ability to see the depths of the subject to be portrayed.
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